Beschreibung
Vorwort – I. Sharp: Women and Weimar Berlin – C. Ujma: Theories of Masculinity and the Avant-Garde – T. Elsaesser: The Camera in the Kitchen: Grete Schütte-Lihotsky and Domestic Modernity – A. Baumhoff: Women in the Bauhaus: Gender Issues in Weimar Culture – D. Rowe: Painting herself. Lotte Laserstein between subject and object – U. Seiderer: Between Minor Sculpture and Promethean Creativity. The Position of Käthe Kollwitz in Weimar’s Discourse on Art – C. Finnan: Photographers between Challenge and Conformity. Yva’s Career and Œuvre – K. Bruns: Thea von Harbou. Writing Skills and Film Aesthetics – J. Trimborn: Leni Riefenstahl’s Career before Hitler: Success-stories of an Outsider – C. Schönfeld: Lotte Reiniger and the Art of Animation – A. Lareau: The Blonde Lady Sings. Women in Weimar Cabaret – I. C. Gil: ‘Jede Frau ist eine Tänzerin…’ The Gender of Dance in Weimar Culture – B. Maier-Katkin: Anna Seghers, Irmgard Keun. A Discourse on Emancipation and Social Circumstance – C. Ujma: Gabriele Tergit and Berlin: Women, City and Modernity – C. Finnan: Marieluise Fleißer’s Self-Reflections on the Female Writer – J. Redmann: Else Lasker-Schüler versus the Weimar Publishing Industry. Genius, Gender, Politics, and the Literary Market – J. Warren: Contrasted Heroines in Two Plays by Ilse Langner. A Dramatist at ‘Weimar’s End’ – L. Soares: Vicky Baum and Gina Kaus: Vienna, Berlin, Hollywood Die Herausgeberin Christiane Schönfeld lehrt Germanistik und Filmwissenschaft an der National University of Ireland, Galway. Carmel Finnan lehrt Germanistik am Mary Immaculate College in Limerick.